Friday, October 21, 2011

First Post on LIFEclectic Magazine


I took a haitus from Orbiting Io to get my bearings and adjust to all the changes that come with being a single parent, but I'm back! I am now blogging for LIFEclectic, online magazine for parents by parents. I'm excited to share with you my first post, "Embarking Upon Single Motherhood With No Training Wheels."  Enjoy!

Sunday, October 16, 2011

Redwoods

Ansel Adams, Redwoods, Bull Creek Flat, Northern California, 1959


     A redwood seedling has the potential to grow into a majestic tree. When we were young, my Dad would drive us North to the redwood forests and I remember how endlessly tall and beautiful these trees were. Being the only women amongst a group of men who have crossed volatility and have entered into violence is like watching redwood trees becoming un-rooted. They crash into each other, succumbing to the forces of gravity that work against them every day to become full grown. I am small and insignificant. My efforts to save the grove are ineffectual and unseen. I surrender because I am outside the realm of men. I know what it’s like to walk amongst those trees—to breathe life and experience peace and beauty. Men have the potential to be majestic like this.

Tuesday, February 8, 2011

Come see the first installation of INVISIBLE MOTHER

















See the first installation of my new photography series: 
Exploring domestic obligation and the value of mothers.
To read more about Invisible Mother click here.

ABSTRACT VISION
Female Perspective
Opening Reception Feb. 11, 2011
7pm-12am
Soundscapes: DJ Shiva
URBAN SANCTUARY
2026 E. 1st St.
Boyle Heights
90033

Invisible Mother

me and the room 

Since becoming a mother, most of my work entails caring for my child, cooking, and keeping house. Finding little time to make money or art, I constantly pondered my worth as a person and productive member of society.  Pre-baby, my work was tangible and quantifiable. I made pictures you could touch and money to put in my pocket. Post-baby, my work was largely unseen. If you visited my home, for example, you would have had to see the hours of labor it took me to get it to that state to fully appreciate it. If you enjoyed the company of my child, you would have had to witness the months I poured into her to know why she thrives as she does. The only time I felt that my work was noticed was when I failed (or appeared to fail) to do it—like when the house was a wreck, or there was no dinner, or my child was losing it at the grocery store. In this way, a good job assumed a quality of invisibility; the better it was done, the less you noticed it.

My introduction to invisibility brought much anger and resentment. Although I observed a superficial sentiment that mothers were valuable and important, I found very little proof that it was actually true. While a stranger might be kind enough to hold the door open so that I might fumble through with my stroller and baby bag, at the end of the day, I still felt short-changed. For doing what people call “the most important job in the world”, I still had no income of my own, no means to make it, and no time for myself. It seemed I only existed to care for my child and clean the house.
       
I know that I am not the only mother who feels this way. I do not think it is a generalization to say that women carry most of the burden of childcare. And I definitely do not think it obscene to say that women do most of the housework.  Without having to pick up a book researching woman’s work or having to spew some kind of statistic about our labors, I can tell you that it takes up a significant amount of our time.  As a result, we are most often the half of the partnership that gives up economic independence, passion, dreams, and art.  The fact that we are the half of society that makes this compromise is exemplary of how much we really do value women.

Feeling little worth for my great contribution to the world, my work in the house has been done mostly in contempt. The longer I cleaned, the more enraged I would become. I would daydream about what I never became and all the things I could become if I did not have to wash dishes. Slowly, I began to document my work around the house, grappling to find beauty in my seemingly mundane routines. I realized that my feelings around housework needed an alchemical process. My rage needed to be transformed into something else. If no one else will value my work, at least I could. To initiate this alchemy, I began photographing my messy kitchen and bedroom, piles of laundry, chopped vegetables, and cluttered tables. By doing this, I bring into view what is largely invisible.  In addition to creating visibility, to capture a moment in time is also to assign it worth. In this sense, photographing my work at home has become a process of self-validation and an opportunity to assign value to my own labor. I do it to honor myself and the women of the world who deserve illumination.

See the first installation of INVISIBLE MOTHER at:
Abstract Vision
Female Perspective
Opening Reception Feb. 11, 2011
7pm-12am
Soundscapes: DJ Shiva
URBAN SANCTUARY
2026 E. 1st St.
Boyle Heights
90033

Saturday, January 1, 2011

Thursday, December 23, 2010

Happy Birthday Self


When I look at this photo, I can see that my eyes look really tired. I remember this night vividly. Io was only 10 days old and I decided to present her to the world at an art show benefit for a friend who was ill. As my girlfriend and I pulled up to the venue, I could see folks hanging around outside. Some were smoking and others were wearing short dresses and high heels--not exactly a baby-friendly environment. While I really wanted to turn around and go home, I still found myself walking toward the bright lights. People at the door gladly helped me get Io into the space, which lacked an entrance that could accommodate her brand new stroller. After warm greetings and new baby oohs and aahs dissipated, I noticed that the music was pounding and probably too loud for newborn ears. I strolled her into a quiet corner, sipped my wine, looked around and thought, “What I am doing here?”
Photo by: Malakhi Simmons

Looking at this photo I see a mother who doesn’t yet realize how drastically her life is going to change. I thought I was going to be that superhuman mama that travelled the world and worked on exciting, new projects while carrying her baby in a sling. That’s not quite what happened. Since Io’s birth, I’ve held myself to this impossible standard and have lived mostly in disappoint for my lack of Wonder Woman-like powers and limited ability to accomplish multiple tasks with only two regular arms. Today, on my birthday, I give all that mamahood baggage a proper burial. I dig a deep hole and gently lower into it all the expectations I had that never became so. I stand over them, say a prayer, and send them on their way. I put them to rest so that new flowers may grow. I accept the mothering experience that is mine and whole. In its imperfection, it is perfect.

My first instinct to abandon the art show was the right one. In more ways than not, that was no longer my world. I didn’t realize that then. The girl in this picture is still holding on to life up top. She has not yet been initiated into the underground forest, where only women who have gone through a great death are allowed to enter. I have struggled for 4 years now, not wanting to succumb to the death of my life above ground. So today I bury my old self and embrace metamorphosis.